ELLIS: Yes. And we have a variety of artifacts that relate to the kinds of tools that they used, the kinds of work that they did. For instance, we know that Edith Fossett worked at the White House, so we have some receptacles and some pots that she would have used.
Uanset om du blot nsker at erstatte den gamle lampe skygge, du har haft i din stue i flere r eller du forsger at fuldstndigt ndre udseendet af et bestemt rum, kan at f en ny slags lamp shade gre en masse for ethvert rum i hjemmet. Du kan finde, du sger efter den traditionelle type skyggefarve eller mske du fundet en interesse i et glas lamp shade, enten mde, der vil vre noget derude, der kan hjlpe pull sammen udseendet af ethvert rum i hjemmet. Eller mske dit hjem har et bestemt tema, men du sger for at fje flere af et personligt touch til hjemmet.
Here, sounds of different durations will be played to goldfish in order to study the effect of duration on AEP latency. Since bats and goldfish are both selective for shorter sound durations, it is hypothesized that the response latency in goldfish will also increase with sound duration, meaning they would respond to sound offset. Additionally, the effects of water temperature will be examined by comparing auditory thresholds at two different temperatures.
Yes, the gettin place can play weird tricks. The novelist initially came to New Jersey because Esquire magazine asked him to do a piece on Rubin (Hurricane) Carter. Carter is the former middleweight contender, now serving a triple life term in Trenton for triple murder.
The tiny ribbon snake had the lower foot of the comparatively huge gray tree frog below (which is only about 2″ long and 1″ wide) in its jaws. Despite the fact that the frog was much too big for the snake to eat, it steadfastly refused to let go of its prize. That is, until it saw me.
At first, their brand of music just sounds like pure discordant noise, but this distinctive, improvised sound is a musical art, more a stream of consciousness expressed through instrumentation than a planned out, scripted tune. It reflected the Tonic community’s alternative attitude toward music they were strongly against the mass commercialization o their art, and sought to bring music back to its most basic, primordial, emotional roots. The Tonic community used their music to identify themselves as a thriving subculture and carved out their own haven in this tiny garage in the Lower East Side, where they could rebel against the homogenization of music in general.